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Here is a line of words you don't always see together...."Improvisational Piecing, Machine Piecing, Hand Quilting, 1st Place", but Pam Beal pulled it off. Her quilt Cloudburst 50" x 51", took the blue ribbon in the Small Wall Quilts - Hand Quilted at Paducah 2017. Learn more about Pam Beal by clicking here.

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Lyric talks about her quilt that is Inspired by Libby Lehman. She discusses her design process when creating a quilt and shares a sweet anecdote that shows just what a "great gal" Libby is. To see more of Lyric's work, click here.

Lyric has visited TQS a number of times. Watch her in:

Show 2013: Art and Abstract Design

Show 1710: Conquering Abstract Fears

Show 1311: Mixed Media and the ABCs of Good Design

Click here to visit Lyric's website.

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Some very talented TQS Members have submitted their quilts to the TQS Quilt Gallery. Here are some of their beautiful quilts that represent summer. These members are smart as well as talented; they know that one very lucky TQS Member who has posted a quilt in the TQS Quilt Gallery will win a Ricky Tims Rhapsody quilt when the Gallery reaches 36,000 quilts. (We are currently at a smidge over 20,000.)

Upload photos of your quilts today. Each TQS Member can enter up to twelve quilts. They do not have to be your quilts; they can be an antique quilt that came down through your family, or a top that you just proudly finished.

All you need to do is go to See Quilts (in the navigation bar) pull down the menu and select -- Add Quilt to Gallery. This will bring up the New Quilt Gallery Submission Form. Complete the form and you are on your way!

We can't wait to see the new quilts soon!

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Get summer going on the right track with this summertime project. It's a simple cooking apron that is sure to put a smile on your face, because nothing says summer like grilling for family and friends! Another great tutorial from WeAllSew.

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When you live in a place that has 9 quilt shops within 45 minutes of each other, you know there must be a LOT of quilters. Which means we also have a variety of quilt shows from the largest outdoor quilt show in Sisters to a variety of local guild shows. But, one of the gems of Central Oregon is the Gallery at QuiltWorks in Bend because each month there is a featured quilter and a group exhibit.

QuiltWorks has a wide variety of fabrics and tools of the trade! It is easily located off Greenwood/Hwy 20 if you are in the area, and I can guarantee a Quilt Show is going on upstairs! And, each quilt show is filled with a wide variety of local talent...doesn't everyone deserve their 15 minutes of fame!

Hope you can visit and be inspired by the local quilters...and maybe nag your local quilt shop to consider showcasing your quilts :)

Click here for Anna's YouTube Channel

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Kayoko Hata of Japan created "Card Trick" a 60" x 60" quilt using Hand Appliqué, Hand Piecing, Hand Quilting, and Trapunto. It won 2nd Place Small Wall Quilts - Hand Quilted at Paducah this year.

Did you miss 3rd Place?  

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This is our last week devoted to value, and if you have been following along in our year-long design series, you understand the important role color AND value play. Whether its an art quilt or one steeped in tradition, here is a quick review with a few easy to remember tips to keep in mind for creating your next successful quilt:

• In the most basic terms, value is the lightness or darkness of a color. There are generally three categories of value: high, low and mid.

• High value means colors that have a great deal of light in them, with white being the highest of high value colors. Low value colors are darker, with black being the lowest of low value colors. Mid value colors are those that do not lean to the very light or very dark, and as such, are very appealing to quilters.

Easy terms to remember:

High - Light, Airy, Delicate
Low - Dark, Earthy, Heavy
Mid - Middle of the road

• The key to achieving success is to remember that when selecting fabric, try to incorporate a very wide range of tints, tones, shades, and pure color. That way your design will have contrast, depth, and volume.

• Alex discusses the importance of value when it comes to selecting fabrics for a quilt in Show 404.

• And last, but not least, use easy to follow tools such as the Ultimate 3-in-1 Color Tool to help keep you on the right path. Each of the twenty-four pages illustrates the pure color, tints, shades and tones of a family, allowing you the opportunity to select from a wide array of fabrics to help you make YOUR quilt more interesting.

Fiber artist, designer, quilter, and author, Grace J. Errea (Show 1303), began quilting in 2000. Her art focuses on the depiction of inspiring scenes in a value based contemporary-realistic manner. Grace is a self-taught artist and her work illustrates and has been recognized for exceptional primary use of values and secondary use of color. Her focus on value makes it easy for her and her students to create inspiring botanicals, landscape scenes, and portraits, in any color.
 

Color Harmonies

by Grace Errea (Show 1303)

First comes VALUE, and then comes HUE/COLOR. When discussing Color we need to talk about Color Harmonies, which are combinations of hues that work well together, support each other, and create amazing artwork.

Once the value of your piece is decided, then hue can be finally defined. Color Harmonies are important as some hues combine better than others. For this we will refer to the standard Color Wheel.

There are a few Color Harmonies that should be mentioned:

Achromatic – just black and white. Value does not exist in this realm, as it is ONLY black and white. Well, let’s stretch the point a little. Even here Value can be pushed a bit.

There are only 2 distinct and separate hues in this harmony. Values are determined by how much of each of the hues (black or white) is present, rather than the smooth transition you obtain when hues are mixed with white or black to create values.

Compare the Black and White Blade to the Blue blade.

Notice here that in Value 1 of the achromatic harmony, you have mostly white and very little black. This black increases as you move through the values until Value 8 is exactly the reverse.

Monochromatic – One Hue.

“Fur Blue” is an example of a monochromatic color harmony, i.e., one Hue. With only one hue, you need to use value to the fullest. There is nothing else to juxtapose to create your design.

Complimentary Harmony – opposites on the color wheel.

In this harmony you work with one primary hue and its compliment - a secondary hue. The complements couples are Red/Green, Blue/Orange, and Yellow/Purple. With the complimentary scheme, you need not be as careful about Value. Complimentary colors look brighter side-by-side as they possess a dynamic contrast. In “Samba Zinnia” the red, is about a value 5, and is seated next to a green, also value 5-6.

Analogous Color Harmony - Three adjacent hues on the color wheel.

This color combination is always harmonious and each hue enhances the other. In this harmony, one of the hues is common to the other two. In “Women of Color” you see the blue face, the purple face, and the green face. The common hue is Blue, since green and purple are both created by using blue as one of their components.

Triadic Color Harmony - Three Primary hues or three secondary.

On the color wheel these are the three points in an equilateral triangle.  The “Red Ram” displays the 3 primary colors of Red, Blue, and Yellow. Another Triadic combination is the 3 secondary colors of orange, purple, and green.

Rainbow Color Harmony – Last but not least, this is a pleasing combination of all the hues.

“Rainbow Canyon”  is an example.

There is no Practice Exercise this week, but we do suggest that you might want to review past lessons as there will be a review quiz coming in the next few weeks.

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Here's a beauty from Jinny Beyer. Do you know it's name? Play the game and find out.

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Star Members can watch Lyric at work in Show 2013: Art and Abstract Design.