Quilt appraiser and historian Mary Kerr will knock your socks off with her contemporary quilts featuring often overlooked vintage textiles that are usually headed to the scrap heap. With a deep appreciation for those who stitched these orphan blocks, Mary shares tips and tricks for stabilizing and utilizing blocks. Once prepared, the fun of playing with the blocks to create a ‘new’ piece begins. From pillow to wall hanging, the ideas abound.
All this, plus Ricky shares a new rendition of an antique Civil War quilt featuring machine appliqué and an inventive use of the clamshell quilting design. Ricky calls this his ‘fast train to finishville’ method.
Inspired by a Civil War quilt, Ricky gives new life to the antique Sumter Rose block by creating a contemporary rendition wall hanging. The version he demonstrates substitutes an invisible machine blanket stitch for the hand appliqué. He also demos a clamshell quilting design.
We learn about Mary Kerr and her love of vintage textiles. Alex and Ricky take a look at her quilts.
Using the pumpkin seed block, Mary shares tips for evaluating orphan blocks. Once determining the most usable candidates, she shares a pillowcasing technique that stabilizes the block. She shares several placement options and applique choices.
Mary also has a collection of ‘seed bags’ (idea bag). These clear bags are filled with fabric/block elements that might work together. She let’s the seed bags percolate while determines their future.
Mary demos a great idea for using a small orphan block to create a pillow. She uses a shirt placket w/ buttons to finish the back of the pillow. The pillow is also a great arena for trying out free-motion quilting while adding a layer of interest and texture.
Mary comes from a family of artists. We see her collection of hand thrown jugs that feature faces.
Ricky Tims' Stable Stuff Poly
Quilters Select Glue Stick
Apliquick Tools
"Monopoly" by Superior Threads
Superior Microtex needle #60/8
505 Spray adhesive
Riley Blake Fabrics
Book - Twisted: Modern Quilts with a Vintage Twist by Shiffer Publishing
Textile artist Michele Sanandajian’s incredible talent was noticed early on by her art college professor. It was with his encouragement that she applied and was accepted to the Parson’s School of Design as a Junior. But, it was due her desire to learn all of the fundamentals, and probably much to her parent’s dismay, that she began as a Freshman. It is this drive and need to push the boundaries of what constitutes a quilt, that make Michele’s collage work and her use of out-of-the-ordinary mediums stand out. Bits of dryer sheets, netting for produce, candy wrappers, and scraps of leather make their way onto a surface painted design in a layer-by-layer effect using her Innova longarm.
Michele is fearless, putting the machine through its paces, with stunning results. Finishing off the work, is her hand spun yarn that becomes the edge finish of the quilt.
Than, TQS catches up with textile artist, teacher, and “Dean of Corrections of the Chicago School of Fusing”, Laura Wasilowski, in Sisters, OR, to see her round “Little Planet” series and how she binds these unusually shaped quilts.
Watch artist, author and teacher, Deborah Boschert as she explores the possibilities of creating surface design with commercial fabrics. Seeing a need to help students overcome the struggle of getting started, Deborah shares a practical and easy way to self-evaluate your composition throughout the entire design process.
Then quilt historian, curator, and quilt broker Julie Silber, takes us on a history lesson via the lives of ordinary women, using quilts from the 1820’s to 1950. You don’t want to miss this fun and information packed show.
Join us as multi-prize winner and youngest ever recipient of the of ‘Master Quilt Award’ Bethanne Nemesh, shares her stunning artistry. Known for her inventive use of details, she shares a beaded piping finishing technique that adds that ‘wow’ element and a method for creating machine quilted feathers that requires no backtracking.
And, the TQS camera crew visits the home and studio of Maryland artist Lesley Riley who shares a fabric collage technique for creating your own story in fabric. This tip filled show is not to be missed.
Making quilts for wordsmith Meg Cox, is about meaning, importance, and carrying on a tradition. This former Wall Street Journalist accepts the challenge to join Alex and Ricky in making a quilt based on their favorite musical. Each person's work was veiled in secrecy and you will be as surprised as they were by the results. They will share the message, tips, and techniques used to meet the challenge. Lo and behold, one of the three needs a bit of help when it comes to spelling. We won’t spill the beans, you will have to watch to find out the answer.
Always one to use her unique and personal style when it comes to quilting, Allie Aller is back to share a new and updated spin on Stained Glass quilts. But you won’t find any bias tape in this method that easily translates into traditional, landscape, or any other style of quilting. The sky’s the limit when it comes to the variety of design options too. No longer bound by using only cotton, oh no! Allie mixes silk, cotton, brocades, and even wool together to create stunning detailed and dimensional results.
We then take you on a journey to North Carolina to learn about Pepper Cory’s love affair with shot cotton and how she is using it to create stunning effects in traditional quilt blocks.
Zentangle master, former cosmetologist, and quilt artist Nysha Oren Nelson enthralls us with his method for incorporating the six elements of marks in his free-motion quilt designs. Using no pre-drawing, this method allows for more organic and spontaneous designs. This might seem scary to most, but his suggestion of working out kinks and problems on practice samples allows you to flush out ideas and design options and thread color before the needle ever touches the fabric. Taking it to an ever more basic level, Nysha’s exercise doodling makes it even more fun.
Self-appointed Queen of Tuffets, Sharyn Cole, shows that these little jewels of eye candy aren’t just for Victorian ladies of yore. Personalizing is what it’s all about. From blue jeans and ties to high school sport shirts, there’s a creative tuffet for every type of recipient.
TQS takes you on a trip to the majestic California Redwoods region to meet quilt artist Pat Durbin. Pat’s love of flora and fauna, combined with husband Gary’s photos, provide the perfect inspiration for her quilt work. Driven by the desire to streamline the mosaic quilt process, Pat shares her technique which includes adding detail and depth through the use of quilting and threadwork. Another way of approaching a project is to paint a design, using an enlarged stencil tracing of a photograph, before adding the details with quilting and free-motion thread work. Bailey the Schnauzer goes from photo to realism right before your eyes.
The show concludes with a tour by Ben Brown of the Clarke Historical Museum. Along with an extensive collection of baskets by Native American tribes in the Humboldt area, he shares the handmade 1865 quilt presented to President Ulysses S. Grant in honor of his time stationed at Fort Humboldt during the 1850’s. Sit back and enjoy this California slice of heaven.
Joen Wolfrom has been fascinated with and studied the magic of color for over four decades. Armed with this knowledge, she lets you in on the secrets of how color works and why some don’t seem to play well with others. Joen also shares tips for using color to create depth in your landscape work.
Then, April Sproule shares ideas for reinventing clothing that is ‘so last decade’ into stunning pieces of wearable art using stenciling and embellishment. It will have you look at your old wardrobe in a whole new light.
NEW...Introducing our 2017 Halo Medallion Kit by Sue Garman in Batiks!
It is stunning and due to arrive to TQS in late September or early October, so order yours now as we have a limited quantity!
Watch Show#1912 (Free) with Rosa Rojas
Apliquick Rods
Apliquick - 3 Holes Microserrated Scissors
Comments
Thank you, Mary Kerr.
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