32

Kinds of Lines
(Image courtesy of Ann Gibson at Canyon Creek Elementary School)

We begin our Design to Quilt Program with the Elements of Design. Elements of design include line, shape, form, texture, space, color, value. Think of these terms as the ingredients in your kitchen. Let's use scrambled eggs as an example. On their own scrambled eggs are tasty, but when you add other ingredients such as butter, salt and pepper, the dish has more depth of flavor and interest. The same principle holds true for your quilt work. You as the designer should be striving to create a piece that holds the viewers interest by incorporating all, if not most, of the elements.

Let's begin with Line. As in the example above, lines can be thick, thin, straight, wavy, curved, tapering or uneven. Lines can create texture, send our eyes moving in a certain direction, create mood, gesture or outline. When it comes to quilting, the simplest line can be the stitches that hold together the top, batting and backing. 

 

 

 

 

 

 

 

 

 

Gently waving lines

 

 

 

 

 

 

 

 

Lines in an orderly formation

 

 

 

 

 

 

 

 

 

 

 

 

 

Complex lines of feathers, wreaths, twirls

 

 

 

 

 

 

 

 

 

 

 

But Line can be so much more. Artist Leni Levenson Wiener (Show 1413) shares her apporach to line when it comes to capturing a viewers interest in a quilt.

Line
by Leni Levenson Wiener

In art, line can refer to several different ideas. Line can be an actual mark on the surface of the work; it can define or outline shapes or represent the negative spaces between shapes. Line can be literal or implied; either a visual path the viewer takes through your composition or a connection by an invisible thread from values, shapes or colors that repeat to form a pattern and travel across the surface of your artwork. Line can also be the direction of the shapes and elements you use that create gesture and movement in your composition. 

Line as visual path

Often we hear the expression “to draw the eye in” which refers to the visual path used to guide the viewer through an artwork or to insure the focal point is the most important aspect of the composition. This visual path can be clearly depicted or it can be implied, the eye gently taken along from one point to another by an actual or suggested line. This path can run from the front of the composition to the back, up and down, from side to side, or around in a circular or radiating fashion.

Pinebrook illustrates two principles of line. One is the literal path of the water that leads the eye into the composition, but line is also at play with the trees; the vertical lines they create and the spaces between them are a strong visual element as they are rhythmic and repetitive.  (Pinebrook)

Line in the composition can be thick or thinHorizontal lines imply a static composition where no movement is present. Vertical lines emphasize height and draw the eye up into the composition, while diagonal lines bring energy and movement to the work. Radial lines are diagonals that converge and draw the eye to the point from which the lines emanate, while circular lines draw the eye around the work and back again.

(Pinebrook) image courtesy of Leni L. Wiener

In Headed Home, the converging radiating lines both draw the eye into the center of the composition, but because they are diagonal, they create energy and the perception of movement towards the perspective point on the horizon. In Lizard, it is the fabric used for the sky which creates the repeating circular lines, making an otherwise static composition alive with movement.

(Headed Home and Lizard courtesy of Leni L. Wiener)

Repetition

In Rush, because the silhouetted figures are repeated and dispersed against a contrasting background, they create a pattern; but repetition does not mean the shapes and lines themselves need to be identical, they need only suggest each other. Either way, the resulting pattern serves to create a feeling of rhythmic movement across the surface of the work. Note also how little bits of red and blue are strategically placed, which subtly helps pull the viewer to different points around the composition--the suggestion of an invisible, or implied line. Repetition not only enlivens the surface of the work, it serves as a unifying element. 

(Rush) image provided by Leni L. Wiener    

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Line as gesture

As gesture is simply the movement of the human body that expresses an idea, an opinion, or an emotion, line used in figurative art becomes a powerful tool with which to communicate with a viewer. Body language; the tilt of the head, the position of hands, the implied movement of arms can all speak clearly to the viewer. In The Endless Dance of the Ponytail, the placement and the resulting line of the arms suggest movement, like a dancer, about to reach the peak of momentum. Because the lines of the arms are diagonal, they inherently exhibit more movement than they would if they were in a horizontal or vertical position.  The dynamic tension created by the opened space left between the hands becomes the focal point of the work, drawing the viewer up to the peak of movement. Were the hands closed, the closed line would have drawn the eye around the surface and back again and would have cost some of the perceived energy.

And you thought lines only took you from point A to point B!
 

 

 

 

 

 


(The Endless Dance of the Ponytail) Image by Gregory Case Photography

More ideas for adding interest with Lines:

     
A radial line                                                                                     An orderly line


An implied line

Practice Exercise: Create Your Own Graphic Line Drawing by Deep Space Sparkle

(Images courtesy of Deep Space Sparkle)


Option 1:
On a sheet of plain paper, draw two straight lines across the paper and two lines down. Using your drawing tools of choice, fill in each area with a design. Add color or not. The choice is yours. When you have completed the drawing, add strips of dark construction paper to make the image more graphic.

Option 2:
Make a quilt sandwich with your top fabric being a solid color. Stitch out the lines on the sandwich. Fill in each area with some free motion designs. Don't worry about them not being perfect, this is just a practice piece.

Click here for more topics related to the Design to Quilt program.


Comments   
#18 Patti Bach 2017-02-28 01:19
Very excited to discover these design lessons! Have learned some helpful datum. Anxious to do more. Thanks!
#17 Susan Yenchochic 2017-02-06 09:18
Have done the exercises with my 8 year old granddaughter. She had a lot of fun and she inspired me with her joyful and funny designs. Maybe they will show up in a quilt someday. I also would love to be able to print these lessons or save to my computer for future use. But then I guess it would be book.
#16 AlohaJo 2017-02-01 14:40
I am really enjoying this lesson and feel they have been very thoughtfully and concisely put together. I am really enjoying what I thought was a simple lesson as it is making me expand my thoughts. I would prefer to save each lesson in a folder on my computer rather than using so much in and paper to print.
#15 Beth French 2017-02-01 05:52
I'd just as soon look at the class on the website. I just don't know where to find it! I don't see it listed in the classroom section.
#14 SoBelt 2017-01-31 20:01
I also would like a printable pdf. I was able to print the info using the gear. Looking forward to starting!
#13 twin41 2017-01-31 18:53
I also would like these lessons on printable pdf form. I tried to print it from the gear icon but it did not print. I had just printed off the Desgin to Quilt: A year of Art for Quilters and it printed off just fine selecting the gear icon but this one did not.
#12 Teresa Fitzgerald 2017-01-31 15:17
Click on the gear icon and select print. When your print window, click on the drop down arrow beside your printer. Select print to PDF. It will ask you where you want to save it. I saved it in my quilting folder and it is there as a PDF. Hope this helps.
#11 cajun2014 2017-01-31 13:54
Would love to have the entire lessons in the PDF format for future reference. Thank You for taking the time to set these lessons up.

Judy
#10 kampswindell 2017-01-31 10:39
I too, would like to be able to download each lesson, but in lieu of that, it is printable via the gear icon on the upper right corner of the blog post, which can then be collected into a paper folder. The lesson is concise and I enjoyed the practice. It is a good way to boost confidence in creativity, which is exactly what I feel I need most. I can follow patterns, but I really want to take the next step and design my own and I hope this will help me get there. I look forward to the rest.
#9 Kimcqa 2017-01-31 10:35
YES! Please set these lessons up as printable .pdf files (not just the exercises). This is a valuable resource! Thank you!!!
Add comment



TQS BOM 2019 "SIZZLE" by Becky Goldsmith

SIZZLE Quilt - Warm


SIZZLE Quilt - Cool

 


Learn about Apliquick appliqué tools!
Watch Show 1912
with Rosa Rojas (free!)

Apliquick Rods

Apliquick - 3 Holes Microserrated Scissors

 Apliquick Ergonomic Tweezers