Let’s Make Dancing Squares
Learn to make Ricky’s fun and improvisational Dancing Squares. No fuss, tons of fun. You will have a blast letting go of all rules and measuring. One very special quilt from Ricky’s collection will also be shared that features this fun technique.
(Approx. 45 minutes)
Click on the picture to watch on our YouTube LIVE playlist


We love how there's a fussy cut print in the center of this block. What do you think it is called? Play the game to find out.



Sylvia Schaefer decided she'd had enough when everyone kept telling her dinosaurs were "just for boys". Take a look at this fabulous quilt she created with both improv and paper piecing. It brought a smile to our face and a lot of other little girls too at QuiltCon this year.

I Can't Believe I Have To Say This by Sylvia Schaefer, of Athens, GA, was featured in the Piecing category at QuiltCon 2020.

Photos by Mary Kay Davis


At WeAllSew Lori Kennedy, from LoriKennedyQuilts, is in the Easter spirit. She writes, "Let’s get crackin’ and decorate eggs! No messy dyes. No spilled teacups! Create a gorgeous table runner or set of napkins for your spring table with the adorable, Eggs in a Basket free motion quilting motif!"

This is a great way for a beginner to practice their quilting.

Click here for full tutorial.



Alex is back sharing her thoughts on Pinning for Success. She also shares what happens when...

Musical Interlude / Casual Visit / Q&A
Enjoy a spontaneous musical interlude by Ricky. This week he plays a few tunes during the LIVE event, and will interact and have a casual Q&A chat with those who join the live streaming event. 
Approx. 45 minutes


Russian Mosque is one of Karlee's very favorite quilts. She made it when she was just developing her Graffiti Quilting technique. She named it Russian Mosque because the column of designs going up the center of the quilt reminded her of those historical, onion-topped buildings in Russia. This quilt is about 15″ x 22″ and packs quite a punch as far as thread count is concerned.

Watch Karlee in Show 2607.

RussianMosquebyKarleePorter - 35 Pieces Non-Rotating

RussianMosquebyKarleePorter - 99 Pieces Non-Rotating

RussianMosquebyKarleePorter - 300 Pieces Non-Rotating

RussianMosquebyKarleePorter - 35 Pieces Rotating

RussianMosquebyKarleePorter - 99 Pieces Rotating

RussianMosquebyKarleePorter - 300 Pieces Rotating

Original Photo: Mary Kay Davis


Russian Mosque is one of Karlee's very favorite quilts. She made it when she was just developing her Graffiti Quilting technique. She named it Russian Mosque because the column of designs going up the center of the quilt reminded her of those historical, onion-topped buildings in Russia. This quilt is about 15″ x 22″ and packs quite a punch as far as thread count is concerned.

Watch Karlee in Show 2607.

Original Photo: Mary Kay Davis

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Making An Impact With Line

In this lesson let's look at how using line to create maximum effect does not have to be complicated. Deborah Boschert (Show 2108: Surface Design Simplified & Vintage Quilt Bed Turning) shares how she uses the elements of line to 'captivate the viewer' by examining two of her quilts. Through the use of subtle, but effective lines, Deborah shows how she holds the viewer's attention as they are guided along the journey around the quilt.

Line by Deborah Boschert
(All images provided by Deborah Boschert unless otherwise noted)

When designing a quilt, all the elements are carefully chosen to work together to create the over all visual impact. Line is one of the elements that can be a part of the design. A line can define a shape, suggest movement, add texture or fill a space. It can be thick or thin, straight or curvy, controlled or random. It can be created with fabric, stitching, or surface design.

It’s helpful to embrace these different ways to describe and understand line. Then when you are designing a quilt, you can think clearly about the different ways line can be used to maximum effect.

 Green Bowl Gathering a quilt by Deborah Boschert   Small Multitudes a quilt by Deborah Boschert
Green Bowl Gathering                                               Small Multitudes

In quilting, a line can be created in so many ways! Let’s look at some examples. In Small Multitudes and Green Bowl Gathering, we can deconstruct the art quilts and pick out different ways I’ve used line.

In both, I’ve outlined the bowls using strips of fabric fused over the bowl shapes. I chose to make the lines relatively chunky and irregular. These lines remind me of  thick magic marker sketches. Imagine how different it would look if I’d placed the outline precisely along the edge of the bowl shapes with no breaks or overlapping.

A detail of Small Multitudes by Deborah Boschert
Detail Small Multitudes by Deborah Boschert.

Both art quilts also have arched lines at the top. In Small Multitudes, the line is hand-stitched in yellow. In fact, each stitch is a tiny line and they work together to visually create the arched line. Additional arches are machine stitched in black thread. Those are much thinner, more subtle lines. In Green Bowl Gathering, I machine stitched similar lines in red. Making several lines of stitching over lapping each other and in slightly different shapes creates the overall effect of an arched line, but the multiple lines give it variety, movement and interest.

Detail of Green Bowl Gathering

Maybe the most dramatic line in Green Bowl Gathering is the strong, horizontal strip that goes all the way from the left to the right. Everything else is built up around that line. (This horizontal line is made up of the shorter vertical lines of the striped fabric. Think about how different it would look if I’d used that same fabric with the stripes running horizontally.

Detail of Small Multitudes
Small Multitudes by Deborah Boschert.

There are several other small details incorporating lines in these two quilts. The tiny seed stitches that appear to fill the bowl are lines. The free motion quilted leafy shapes in the background are also lines.

Detail of Green Bowl Gathering

The green circles in Green Bowl Gathering are printed with paint — some thick and blobbly, others thin and faint. When you consider the possibilities of each individual line, you can really take control of the design of a quilt.

As you’re designing your own original art quilt, zero in on the idea of how you can use lines to maximum effect. Will the lines be made from fabric? Or stitched with thread? Or created with paint, ink or dye? Think about how the design would change if a line were thinner or thicker. Are you most comfortable making controlled straight lines? What would happen if you tried something loose and gestural?

There’s no right or wrong way to think about all these details. But, giving them some close consideration may open up new possibilities in the creative process.

To learn more about Deborah Boschert, visit her website, follow her blog, or sign up for her newsletter.


Janet Stone's Red Letter Daze


Looking for ways to use line when it comes to a traditional design? Let's look at Janet Stone's Red Letter Daze. Janet (Show 1401: From ABC to BOM - Tips and Techniques Just for "Ewe") loves to take the viewer on a journey around, across and into her quilts.  A huge fan of over the top details, see if you can spot how many ways Janet has included line in her 2012 NQA Masterpiece Award Winner.











Red Letter Daze a quilt by Janet Stone. Photo by Gregory Case Photograpy for TheQuiltShow.

Here are a few examples of Janet's masterful use of line:

Notice (left image) how the curved red lines flow along the edge of the outside border, while Flying Geese (and an occasional small block) take the eye journey around the central creamy field.

Notice (right image ) how the letters of the alphabet and the repeated curved lines flow around each of various block designs. The gentle curves of the letters and undulating lines help to soften the more angular Flying Geese and blocks in the center field.

  Detail of Red Letter Daze    Detail of Red Letter Daze
Detail of Red Letter Daze. Photos by Gregory Case Photography for TheQuiltShow.

See the entire quilt in our zoom format here.

Worksheet excercise:  Using Line to Create the Illusion of Form

Hand Drawing Exercise

Adaptation of hand drawing exercise from Art is Every Day by Eileen S. Prince

Option 1:

Place your non-dominant hand and bare forearm in a pleasing manner on a piece of white paper. Splay your fingers slightly, but keep your thumb as vertical as possilble. Using a pencil, lightly trace around your arm and hand. Place or draw another object, such as a heart, near your hand tracing. Trace this item lightly as well.

Using a dark marker, begin drawing a straight line (from the left side of the page) parallel to the lower edge. When you come to your pencil line, curve the line up slightly. Curve back down to the pencil line on the other side, and continue across the page. Repeat with each new line being about 1/4" above the previous. Try to keep your lines as straight and horizontal as possible. Repeat the process for the heart.

Option 2:

On a piece of plain fabric trace your hand and the heart in the same manner as Option 1. Make a quilt sandwich and machine quilt with a thread of your choosing using the same method of curving slightly when you reach a traced line.

Notice how in both options the curved lines make the hand and heart appear to be raised. 
The hand is also drawing the eye towards the red heart.

Click here for more topics related to The Art of Quilt Design program.


We continue our feature on quilts from the Studio Art Quilt Associates (SAQA) exhibit, Layered & Stitched: Fifty Years of Innovation, as featured at the Texas Quilt Museum. The exhibit is described as:

Studio Art Quilt Associates presents Layered & Stitched: Fifty Years of Innovation at the Texas Quilt Museum in Galleries I and III. These studio art quilts, dating from 1968 to 2016, represent the extraordinary range of talented artists working in contemporary quilt art. Featuring a balance of abstract and representational styles, Layered & Stitched includes several foreign artists, with a wide geographic distribution of makers in general. The curatorial vision of this exhibition embraces diversity and excellence, including three-dimensional works. Juried by Nancy Bavor, Director of the San Jose Museum of Quilts & Textiles; Martha Sielman, Executive Director of SAQA; and Dr. Sandra Sider, Curator of the Texas Quilt Museum, who says, "Jurying this spectacular exhibition was one of the highlights of my career! It is an amazing show of historic significance."

The exhibit has also been collected in a companion book as well, titled Art Quilts Unfolding: 50 Years of Innovation by Nancy Bavor, Lisa Ellis, Martha Sielman, and edited by Sandra Sider. The book is described as:

Published by Schiffer Books, Art Quilts Unfolding offers full-color images of 400 masterpieces along with engaging interviews and profiles of 58 influential artists, key leaders, important events, and significant collections. Organized by decade, an additional 182 international artists' works are featured.
An introduction by Janet Koplos, former senior editor of Art in America, and a conclusion by Ulysses Grant Dietz, emeritus chief curator of the Newark Museum, help us to understand the impact and the future of the art.
The exhibit will be on display at:
San Jose Museum of Quilts & Textiles: April 19, 2020 - July 12, 2020
Ross Art Museum, Delaware, Ohio: May 14, 2021 - July 2, 2021

Please enjoy the third quilt from the exhibition by Caryl Bryer Fallert-Gentry.

Title of Quilt: New Dawn

Quilter's Name: Caryl Bryer Fallert-Gentry

Photos by Mary Kay Davis

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